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August Macke Colourfull shapes II Date 1913
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August Macke Colour circle Date Unknown
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August Macke The tempest (The Storm) Date 1911(1911)
Dimensions 84 x 112 cm
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August Macke Colored composition (Hommage to Johann Sebastian Bachh) Date 1912(1912)
Medium Deutsch: Öl auf Karton
Dimensions Deutsch: 102 x 82 cm
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August Macke Madchen mit Fischglocke Date 1914(1914)
Medium color on canvas
Dimensions 80,5 x 100 cm
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August Macke Mit gelber Jacke Date 1913(1913)
Medium Deutsch: Aquarell
Dimensions Deutsch: 29,5 x 44,5 cm
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August Macke Still-life with bowl of apples and japanese fan Date 1911(1911)
Medium oil on canvas
Dimensions 55.5 x 55 cm (21.9 x 21.7 in)
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August Macke Stil live with pillow with deer-decor and a bouquet Date Unknown
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August Macke Persiflage to the Blauer Reiter Date Unknown
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August Macke Native Aericans on horses Date Unknown
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August Macke Indianer August Macke
(1911)
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August Macke Garten am Thunersee Date 1914(1914)
Medium watercolor
Dimensions 22,6 x 28,7 cm
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August Macke Eselreiter Date 1914(1914)
Medium Deutsch: Aquarell
Dimensions Deutsch: 28,5 x 24 cm
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August Macke Felsige Landschaft Date 1914(1914)
Medium watercolor
Dimensions 24 x 20 cm
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August Macke Gartentor Date 1914(1914)
Medium Deutsch: Aquarell
Dimensions Deutsch: 22 x 25 cm
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August Macke Handler mit Krugen Date 1914(1914)
Medium Deutsch: Aquarell
Dimensions Deutsch: 20 x 26 cm
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August Macke Haus im Garten Date 1914(1914)
Medium watercolor
Dimensions 22 x 28,5 cm
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August Macke Helles Haus Date 1914(1914)
Medium watercolor
Dimensions 20 x 26 cm
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August Macke Im Basar Date 1914(1914)
Medium Deutsch: Aquarell
Dimensions Deutsch: 28 x 22 cm
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August Macke In the Temple Hall Date 1914(1914)
Medium Deutsch: Aquarell
Dimensions Deutsch: 20 x 26 cm
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August Macke
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1887-1914
August Macke Locations
August Macke was born in Meschede, Germany. His father, August Friedrich Hermann Macke (1845-1904), was a building contractor and his mother, Maria Florentine, n??e Adolph, (1848-1922), came from a farming family in Germany's Sauerland region. The family lived at Br??sseler Straße until August was 13. He then lived most of his creative life in Bonn, with the exception of a few periods spent at Lake Thun in Switzerland and various trips to Paris, Italy, Holland and Tunisia. In Paris, where he traveled for the first time in 1907, Macke saw the work of the Impressionists, and shortly after he went to Berlin and spent a few months in Lovis Corinth's studio. His style was formed within the mode of French Impressionism and Post-impressionism and later went through a Fauve period. In 1909 he married Elizabeth Gerhardt. In 1910, through his friendship with Franz Marc, Macke met Kandinsky and for a while shared the non-objective aesthetic and the mystical and symbolic interests of Der Blaue Reiter.
Macke's meeting with Robert Delaunay in Paris in 1912 was to be a sort of revelation for him. Delaunay's chromatic Cubism, which Apollinaire had called Orphism, influenced Macke's art from that point onwards. His Shops Windows can be considered a personal interpretation of Delaunay's Windows, combined with the simultaneity of images found in Italian Futurism. The exotic atmosphere of Tunisia, where Macke traveled in 1914 with Paul Klee and Louis Moilliet was fundamental for the creation of the luminist approach of his final period, during which he produced a series of works now considered masterpieces. August Macke's oeuvre can be considered as Expressionism, (the movement that flourished in Germany between 1905 and 1925) and also his work was part of Fauvism. The paintings concentrate primarily on expressing emotion, his style of work represents feelings and moods rather than reproducing objective reality, usually distorting colour and form.
Macke's career was cut short by his early death at the front in Champagne in September 1914, the second month of World War I. His final painting, Farewell, depicts the mood of gloom that settled after the outbreak of war.
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